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Original garments from costume/pattern books

Sanna K
84 Pin-lisäykset687 Seuraajat
Photos of original garments and some really fabulous reproductions of them.
The Empire dress owes its name, physical emancipation, popularity, and even its sexiness to France. In this English example, French style is slavishly followed in the gown's high waist and modish stripes

The Empire dress owes its name, physical emancipation, popularity, and even its sexiness to France. In this English example, French style is slavishly followed in the gown's high waist and modish stripes

Dress, 1795–97. Accession Number: C.I.37.46.1

Dress, 1795–97. Accession Number: C.I.37.46.1

View of a c1770s cotton polonaise at Berrington Hall, Herefordshire

View of a c1770s cotton polonaise at Berrington Hall, Herefordshire

View of a man's silk velvet suit, c1760s, with matching waistcoat & breeches, & a hooded lady's travelling satin quilted jacket & skirt c1745-60 at Berrington Hall, Herefordshire.

View of a man's silk velvet suit, c1760s, with matching waistcoat & breeches, & a hooded lady's travelling satin quilted jacket & skirt c1745-60 at Berrington Hall, Herefordshire.

Randig i övervägande gult och vitt med mycket smala ränder i svart och rött. Fodrad med tre olika linnekvaliteter. Skört i sidorna och baktill, kantade med ett 6,5 cm brett rysch av samma material som koftan. Ryggstyckena skurna i ett med bakskörten. Läng, svängd ärm med ärmuppslag samt sprund på överärmen, vilket knäppes med 6 st överklädda knappar. Djup halsurringning, knäppes framtill med 9 st överklädda knappar.

Randig i övervägande gult och vitt med mycket smala ränder i svart och rött. Fodrad med tre olika linnekvaliteter. Skört i sidorna och baktill, kantade med ett 6,5 cm brett rysch av samma material som koftan. Ryggstyckena skurna i ett med bakskörten. Läng, svängd ärm med ärmuppslag samt sprund på överärmen, vilket knäppes med 6 st överklädda knappar. Djup halsurringning, knäppes framtill med 9 st överklädda knappar.

This dress, 1795-1800, is sewn from a striped silk fabric with rosebuds from the 1770s. Traces of stitches show that the fabric was previously used in a robe à la française. In the 1790s many old dresses were modernized to fit the new fashion. "I went to Mrs. Molzer, we went together to Ladugårdslandet to a Miss Liljenstråle, who sews ladies clothes and I left there a piece of silk fabric that I got from Uncle Pohnsen 1775, as a wedding gift, but kept until now, when everything old is…

This dress, 1795-1800, is sewn from a striped silk fabric with rosebuds from the 1770s. Traces of stitches show that the fabric was previously used in a robe à la française. In the 1790s many old dresses were modernized to fit the new fashion. "I went to Mrs. Molzer, we went together to Ladugårdslandet to a Miss Liljenstråle, who sews ladies clothes and I left there a piece of silk fabric that I got from Uncle Pohnsen 1775, as a wedding gift, but kept until now, when everything old is…

#GeorgianJanuary Day #4 Clothing. Over the years I have made many visits to costume collections for study. As well as taking photographs and making notes I also do detailed drawings and sometimes take scaled down patterns too. Here is a beautiful late 18th century silk jacket from the Museum of Costume and Textiles in Nottingham. I love the unusual silk and the perfectly matched fringing. #Georgiandress #18thcenturyfashion #18thcenturysilk @dames_a_la_mode

#GeorgianJanuary Day #4 Clothing. Over the years I have made many visits to costume collections for study. As well as taking photographs and making notes I also do detailed drawings and sometimes take scaled down patterns too. Here is a beautiful late 18th century silk jacket from the Museum of Costume and Textiles in Nottingham. I love the unusual silk and the perfectly matched fringing. #Georgiandress #18thcenturyfashion #18thcenturysilk @dames_a_la_mode

Red & white striped silk robe à la française, 1770s on loan to #HFx100 from @nationaltrust

Red & white striped silk robe à la française, 1770s on loan to #HFx100 from @nationaltrust

Bodice detail of striped Georgian sack back gown, made by The Costume Project, Coalbrookdale for the Fashion Museum, Bath. The gown was created as a copy of an original dress that is on display in the Fashion Museum. Visitors to the museum can try on the copy.

Bodice detail of striped Georgian sack back gown, made by The Costume Project, Coalbrookdale for the Fashion Museum, Bath. The gown was created as a copy of an original dress that is on display in the Fashion Museum. Visitors to the museum can try on the copy.

Reproduction Georgian sack back gown, created by The Costume Project, Ironbridge Gorge Museum Trust, Coalbrookdale, Shropshire. 2016. Commissioned by the Fashion Museum, Bath.

Reproduction Georgian sack back gown, created by The Costume Project, Ironbridge Gorge Museum Trust, Coalbrookdale, Shropshire. 2016. Commissioned by the Fashion Museum, Bath.

Polonaise | V&A Search the Collections, Norah Waugh, The Cut and Construction of Women's Clothes 1600-1930, London: Faber and Faber, 1968, Diagram XXI

Polonaise

Polonaise | V&A Search the Collections, Norah Waugh, The Cut and Construction of Women's Clothes 1600-1930, London: Faber and Faber, 1968, Diagram XXI

Polonaise | V&A Search the Collections, Norah Waugh, The Cut and Construction of Women's Clothes 1600-1930, London: Faber and Faber, 1968, Diagram XXI

Polonaise

Polonaise | V&A Search the Collections, Norah Waugh, The Cut and Construction of Women's Clothes 1600-1930, London: Faber and Faber, 1968, Diagram XXI

Polonaise | V&A Search the Collections, Norah Waugh, The Cut and Construction of Women's Clothes 1600-1930, London: Faber and Faber, 1968, Diagram XXI

Polonaise

Polonaise | V&A Search the Collections, Norah Waugh, The Cut and Construction of Women's Clothes 1600-1930, London: Faber and Faber, 1968, Diagram XXI

Polonaise | V&A Search the Collections, Norah Waugh, The Cut and Construction of Women's Clothes 1600-1930, London: Faber and Faber, 1968, Diagram XXI

Polonaise

Polonaise | V&A Search the Collections, Norah Waugh, The Cut and Construction of Women's Clothes 1600-1930, London: Faber and Faber, 1968, Diagram XXI

Underdress - Part of a woman's satin dress with overdress dating from c1835. Dress Fabric - Purple navy satin. National Trust. Nancy Bradfield dates 1830-33

Underdress - Part of a woman's satin dress with overdress dating from c1835. Dress Fabric - Purple navy satin. National Trust. Nancy Bradfield dates 1830-33

Spencer - Woman's spencer (dress) dating from c1820. Fabric - Lichen green silk taffeta. National Trust. Nancy Bradfield p109, she has it as a child's spencer - it is quite small.

Spencer - Woman's spencer (dress) dating from c1820. Fabric - Lichen green silk taffeta. National Trust. Nancy Bradfield p109, she has it as a child's spencer - it is quite small.