Polly Samson: ‘It’s the most gleeful sort of writing there is’
Aminatta Forna: don’t judge a book by its author
Swiss curator Hans Ulrich Obrist talks and travels incessantly, barely sleeps and never cooks. He’s far too busy keeping London’s Serpentine gallery at the pinnacle of conceptual art…
Martin Freeman interview: 'I had no interest in Fargo just being a TV version of the film'
An Encyclopaedia of Myself review – Jonathan Meades is a man bristling with everything
Susan Greenfield: 'I've always marched to the beat of my own drum'
Karl Ove Knausgaard: ‘Writing is a way of getting rid of shame’
Dylan Moran: ‘Panel shows… I have an absolute horror of those’
Writers' indignation: Kazuo Ishiguro rejects claims of genre snobbery
Kazuo Ishiguro’s turn to fantasy
Hans Ulrich Obrist: ‘Everything I do is somehow connected to velocity’