Salme Ateljee Esvee

Salme Ateljee Esvee

Salme Ateljee Esvee
Muita ideoita: Salme
© The Trustees of the British Museum A new coat. M Egerton / H Pyall, 1827 Hand-coloured etching and aquatint

© The Trustees of the British Museum A new coat. M Egerton / H Pyall, 1827 Hand-coloured etching and aquatint

© The Trustees of the British Museum Love. Or an exquisite at his devotions. Alfred Crowquill (?) 1825

© The Trustees of the British Museum Love. Or an exquisite at his devotions. Alfred Crowquill (?) 1825

Detail of the “Portrait of Pierre-Jean-George Cabanis” by Merry-Joseph Blondel His dress places this portrait close to his death in 1808. The thick, high cravat style (one of the signature marks of a dandy) was in vogue from about 1800-20, and large, showy watch accessories were favorite pieces of jewelry.

Detail of the “Portrait of Pierre-Jean-George Cabanis” by Merry-Joseph Blondel His dress places this portrait close to his death in 1808. The thick, high cravat style (one of the signature marks of a dandy) was in vogue from about 1800-20, and large, showy watch accessories were favorite pieces of jewelry.

Cruikshank, Robert, 1789-1856, printmaker. Title: Exquisite dandies I.R. Cruikshank fecit & c. Published: [London] : Pubd. Decr. 8th, 1818 b...

Cruikshank, Robert, 1789-1856, printmaker. Title: Exquisite dandies I.R. Cruikshank fecit & c. Published: [London] : Pubd. Decr. 8th, 1818 b...

© The Trustees of the British Museum Social satire: a dandy preening himself in the mirror on his dressing-table, with rows on pots and brushes on the table beside. 2 November 1818

© The Trustees of the British Museum Social satire: a dandy preening himself in the mirror on his dressing-table, with rows on pots and brushes on the table beside. 2 November 1818

Title (object) A dandy Materials paper (all objects) Techniques hand-coloured (scope note | all objects) etching (scope note | all objects) Production person Published by S W Fores (biographical details | all objects) Print made by Charles Williams (biographical details | all objects) Date 1818 British Museum, 1868,0808.8403

Title (object) A dandy Materials paper (all objects) Techniques hand-coloured (scope note | all objects) etching (scope note | all objects) Production person Published by S W Fores (biographical details | all objects) Print made by Charles Williams (biographical details | all objects) Date 1818 British Museum, 1868,0808.8403

Image ID: lwlpr11974 Call Number: 818.10.26.01+ Creator: Cruikshank, Robert, 1789-1856, printmaker. Title: A dandy put to his las chemisette, or, Preparing for a Bond Street lounge I.R. Cruikshank fect. Related Title: Preparing for a Bond Street lounge Published: [London] : Pubd. Oct. 26, 1818 by S.W. Fores 50 Piccadilly, [26 Oct. 1818]

Image ID: lwlpr11974 Call Number: 818.10.26.01+ Creator: Cruikshank, Robert, 1789-1856, printmaker. Title: A dandy put to his las chemisette, or, Preparing for a Bond Street lounge I.R. Cruikshank fect. Related Title: Preparing for a Bond Street lounge Published: [London] : Pubd. Oct. 26, 1818 by S.W. Fores 50 Piccadilly, [26 Oct. 1818]

English fashion plates from 1801, and French fashion plates from Year 9 (1800-1801) of the French Republican Calendar. All images come from the collection of the Bibliothèque des Arts Décoratifs. www.lesartsdecoratifs.fr/francais/bibliotheque/

English fashion plates from 1801, and French fashion plates from Year 9 (1800-1801) of the French Republican Calendar. All images come from the collection of the Bibliothèque des Arts Décoratifs. www.lesartsdecoratifs.fr/francais/bibliotheque/

Plate 1: two couples dancing the waltz, dressed in costumes of the Incroyables and Merveilleuses. 1801? Hand-coloured etching

Plate 1: two couples dancing the waltz, dressed in costumes of the Incroyables and Merveilleuses. 1801? Hand-coloured etching

Le Bon Genre 61

Le Bon Genre 61