Denis SD
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paramount ranch | ... JEREMY JACOBUS: Day 822: Quick Draw at Paramount Ranch - Coyote Trail

paramount ranch | ... JEREMY JACOBUS: Day 822: Quick Draw at Paramount Ranch - Coyote Trail

László Moholy-Nagy, Photogram, 1925–26

László Moholy-Nagy, Photogram, 1925–26

Moholy-Nagy, fotograma

Moholy-Nagy, fotograma

Fotogramm (negativ) (Negative Photogram); László Moholy-Nagy (American, born Hungary, 1895 - 1946); Dessau, Germany; 1928; Gelatin silver print; 23.9 x 27.5 cm (9 3/8 x 10 13/16 in.); 84.XM.231.3; Copyright: © Estate of László Moholy-Nagy / Artists Rights Society (ARS), New York

Fotogramm (negativ) (Negative Photogram); László Moholy-Nagy (American, born Hungary, 1895 - 1946); Dessau, Germany; 1928; Gelatin silver print; 23.9 x 27.5 cm (9 3/8 x 10 13/16 in.); 84.XM.231.3; Copyright: © Estate of László Moholy-Nagy / Artists Rights Society (ARS), New York

Photograms | Moholy-Nagy Foundation | The official website for all things László Moholy-Nagy, paintings, photographs, photograms, films, stage design, and works on paper, and more!

Photograms | Moholy-Nagy Foundation | The official website for all things László Moholy-Nagy, paintings, photographs, photograms, films, stage design, and works on paper, and more!

László Moholy-Nagy - Untitled, Berlin 1929 Photogram

László Moholy-Nagy - Untitled, Berlin 1929 Photogram

László Moholy-Nagy

László Moholy-Nagy

Laszlo Moholy-Nagy. Untitled (Photogram), 1923-1925

Laszlo Moholy-Nagy. Untitled (Photogram), 1923-1925

Man Ray (Emmanuel Radnitzky) - Untitled Rayograph (Scissors and Cut Paper) (1927) | Getty Museum (Los Angeles) Surrealisme

Man Ray (Emmanuel Radnitzky) - Untitled Rayograph (Scissors and Cut Paper) (1927) | Getty Museum (Los Angeles) Surrealisme

Rayograph (Raiografia) 1923. Raiografia era o termo que Man Ray usava para definir seu próprio estilo de fotografia sem uso de câmera. Ele colocava os objetos diretamente sobre o papel fotográfico e expunha à luz. Aqui, ele usou uma faixa de filme de 35-mm.

Rayograph (Raiografia) 1923. Raiografia era o termo que Man Ray usava para definir seu próprio estilo de fotografia sem uso de câmera. Ele colocava os objetos diretamente sobre o papel fotográfico e expunha à luz. Aqui, ele usou uma faixa de filme de 35-mm.