Henry Moore. Composition, 1932 ●彡

Henry Moore. Composition, 1932 ●彡

HENRY MOORE 1898 - 1986 INTERIOR FORM  Inscribed Moore and numbered 6/9 Bronze Height: 19 1/4 in. 48.8 cm Conceived in 1951 and cast in 1981

HENRY MOORE 1898 - 1986 INTERIOR FORM Inscribed Moore and numbered 6/9 Bronze Height: 19 1/4 in. 48.8 cm Conceived in 1951 and cast in 1981

"Henry Moore: Wunderkammer–Origin of Forms" at Gagosian Davies Street. February 9–April 2, 2015

"Henry Moore: Wunderkammer–Origin of Forms" at Gagosian Davies Street. February 9–April 2, 2015

Henry Moore OM, CH ‘Maquette for Family Group’, 1945 © The Henry Moore Foundation. All Rights Reserved

Henry Moore OM, CH ‘Maquette for Family Group’, 1945 © The Henry Moore Foundation. All Rights Reserved

Henry Moore. Een open vorm. Hier gebruikt als doorkijkje waardoor de dieptewerking groter word. Daarnaast lijkt de vorm ongeveer symmetrisch.

Henry Moore: In the garden of delights

Henry Moore. Een open vorm. Hier gebruikt als doorkijkje waardoor de dieptewerking groter word. Daarnaast lijkt de vorm ongeveer symmetrisch.

Henry Moore (British, 1898 - 1986) "Bourne maquette studio" stellage in the studio

Henry Moore (British, 1898 - 1986) "Bourne maquette studio" stellage in the studio

MOORE Henry - English (1898-1986) ~ Upright Form 1966

MOORE Henry - English (1898-1986) ~ Upright Form 1966

"The artist hand" Henry Moore Henry Moore's subject is the aged body. He made these drawings of his own hands when he was eighty-one and suffering from ill-health. 'Hands can convey so much' he said, 'they can beg or refuse, take or give, be open or clenched, show content or anxiety. They can be young or old, beautiful or deformed'.

"The artist hand" Henry Moore Henry Moore's subject is the aged body. He made these drawings of his own hands when he was eighty-one and suffering from ill-health. 'Hands can convey so much' he said, 'they can beg or refuse, take or give, be open or clenched, show content or anxiety. They can be young or old, beautiful or deformed'.

Google Image Result for http://static.guim.co.uk/sys-images/Observer/Pix/pictures/2010/2/24/1267020040757/henry-moore-tate-britain-001.jpg

Henry Moore at Tate Britain

Google Image Result for http://static.guim.co.uk/sys-images/Observer/Pix/pictures/2010/2/24/1267020040757/henry-moore-tate-britain-001.jpg

Large Two Forms, Henry Moore 1966. Bronze. - Henry Moore at the Yorkshire Sculpture Park - photo by Nigel Homer

Large Two Forms, Henry Moore 1966. Bronze. - Henry Moore at the Yorkshire Sculpture Park - photo by Nigel Homer

Henry Moore was one of my favorite inspirations while I was a sculpture student -

Henry Moore was one of my favorite inspirations while I was a sculpture student -

Henry Moore, Standing Figures and Ideas for Sculpture, circa 1948, Pencil, wax crayon, coloured crayon and, watercolour wash on paper, 29 x 24 cm, © The Henry Moore Foundation, Courtesy Henry Moore Family Collection and Hauser & Wirth.

Henry Moore, Standing Figures and Ideas for Sculpture, circa 1948, Pencil, wax crayon, coloured crayon and, watercolour wash on paper, 29 x 24 cm, © The Henry Moore Foundation, Courtesy Henry Moore Family Collection and Hauser & Wirth.

Henry Moore. Three Standing Figures, 1953. Bronze

Henry Moore. Three Standing Figures, 1953. Bronze

Henry Moore OM, CH, ‘Working Model for Three Way Piece No. 1: Points’ 1964

Henry Moore OM, CH, ‘Working Model for Three Way Piece No. 1: Points’ 1964

Henry Moore - Reclining Figure 1929 - Henry Moore at Tate Britain

Henry Moore at Tate Britain, review

Henry Moore - Reclining Figure 1929 - Henry Moore at Tate Britain

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