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"Enjoy this 1990s photography art book of American female photographer Berenice Abbott This is a hard cover book with dust jacket. There are over 95 pages text and black white pictures. written in three languages: English, French and German published by German publisher Konemann this wonderful book gives you a great impression of the work of this highly respected American photographer this edition was published in 1997 book is in excellent vintage condition, no tears . all pages complete…
Exhibition: ‘American Modern: Abbott, Evans, Bourke-White’ at the Amon Carter Museum of American Art, Fort Worth, Texas
Exhibition dates: 2nd October 2010 – 2nd January 2011 Berenice Abbott (American, 1898-1991) Canyon, Broadway and Exchange Place 1936 Gelatin silver print National Gallery of Art…
Hemi Mihut saved to old photos
New York Stock Exchange (Wall Street), by Berenice Abbott.
Vetta Lindemann saved to париж лол
“The photograph… to merit serious consideration, must be directly connected with the world we live in.”
“The photograph may be presented as finely and artistically as you will; but to merit serious consideration, must be directly connected with the world we live in.” – Berenice Abbott, 1898-1991, Ame…
Avant-garde artist Berenice Abbott is famous for her shots of New York skyscrapers – but she also developed an all-new kind of scientific photography
Zmijowka Kaltsektion saved to Photography
Man Ray, Berenice Abbott, Paris, ca. December 1921
Digital ID: 482673. Abbott, Berenice -- Photographer. March 26, 1936 Notes: Code: I.C. Looking down Cedar Street, in shadow, rounded corner and entrance of #67-69 at right, police officer just visible, lower right corner. Source: Changing New York / Berenice Abbott. (more info) Repository: The New York Public Library. Photography Collection, Miriam and Ira D. Wallach Division of Art, Prints and Photographs. See more information about this image and others at NYPL Digital Gallery. Persistent…
Sandra Condito saved to new york new york
Abbott aimed her lens at so many 20th-century subjects that her photographs challenge us to rethink modernity itself.
The photographs in Berenice Abbott’s Paris Portraits 1925-1930 document how international the community of modernists was between the wars, and are evidence of Abbott’s first experiments with lighting, angles, and equipment. The portraits’ sparseness only amplifies the ambition they contain—of both subjects and photographer. One of the pleasures of a great portrait is the unending present exposure it offers us, as if the sitter is just about to reveal something. Abbott’s client list is…
Meirav saved to Vivian Mayer & street photography