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Art Practice

149 Pins
 12w
Collection by
Ballet Poses, Art Poses
Do not let age destroy your ballet skills.
Modern Dance Photography, Contemporary Photography, Ballet Vintage, Vintage Circus
A Ballet Revolution
Kato ❁❃❇
Kato ❁❃❇
Ballerina by rebecca. | We Heart It
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Ballerina by rebecca. | We Heart It
.jazz. Body Reference, Gesture Drawing Poses
danser.
.jazz.
Dance Photoshoot Ideas, Ballet Dancers, Tanz Poster
dance first. think later.
The fabulous bodacious dancealicious photographer...Chelsea Rowe. Dance Art, Dance Music, Dance Class
Jorgen
The fabulous bodacious dancealicious photographer...Chelsea Rowe.
Deb Clem-Buckert @ It's me, debcb!
Deb Clem-Buckert @ It's me, debcb!
Dancer Photography, Fantasy Photography, Coffee Photography, Summer Photography
Ballerina Anastasia Turkova - Stanislavsky and Nemirovich Danchenko Musical Theater - Photo by Alexander Yakovlev
Modern Dance Poses, Photography Posing Guide
45 Powerful and Passionate Dance Demonstrations Poses Photo, Dance Hip Hop, Dance Aesthetic, Dance Jumps, Isadora Duncan
45 Powerful and Passionate Dance Demonstrations - Greenorc
45 Powerful and Passionate Dance Demonstrations
Shoulders and arms Dance Like No One Is Watching, Dance Movement, Lets Dance
Fitspo – Kawaii Fitness
Shoulders and arms
Kalani Hilliker Ballerina Poses, Foto Sport, Dance Moms Costumes
Kalani Hilliker
Bianca Fota in Edward Clug’s Radio and Juliet, Bucharest National Ballet,  April 2015. © Bucharest National Opera House. The whole affair is seen through the eyes of Juliet as evidenced by the overlong opening film sequence of her waking up; and it is subsequently set against her interactions with six men in suits. Fota returns as Clug’s surprisingly passionless Juliet; although nonetheless superb in her delivery of his wrenching, mechanistic movement. Gesture Drawing, Drawing Poses, Poses References
Books and Art
Bianca Fota in Edward Clug’s Radio and Juliet, Bucharest National Ballet, April 2015. © Bucharest National Opera House. The whole affair is seen through the eyes of Juliet as evidenced by the overlong opening film sequence of her waking up; and it is subsequently set against her interactions with six men in suits. Fota returns as Clug’s surprisingly passionless Juliet; although nonetheless superb in her delivery of his wrenching, mechanistic movement.