Kirsi Tähtinen

Kirsi Tähtinen

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Kirsi Tähtinen
Muita ideoita: Kirsi
Robe a la francaise ca. 1760-70 From the Canadian Museum of Civilization

Robe a la francaise ca. 1760-70 From the Canadian Museum of Civilization

Stomacher Date: 1700–1750 Culture: probably French Medium: silk, gold Accession Number: C.I.58.29

Stomacher Date: 1700–1750 Culture: probably French Medium: silk, gold Accession Number: C.I.58.29

Many of the surviving stays in museum collections are back fastening and this was the normal position for the lacing although lacing at the centre front, front and back, over a separate stomacher or even at the sides are found. Back lacing was regarded as a sort of status symbol since it implied that you had someone to dress you.

Many of the surviving stays in museum collections are back fastening and this was the normal position for the lacing although lacing at the centre front, front and back, over a separate stomacher or even at the sides are found. Back lacing was regarded as a sort of status symbol since it implied that you had someone to dress you.

Brocade stays were suitable for use by a very rich lady and were acceptable to be seen in public under certain conditions.

Brocade stays were suitable for use by a very rich lady and were acceptable to be seen in public under certain conditions.

Afternoon suit by House of Paquin, 1906-08 France, the Met Museum by .Vicky.Toria.

Afternoon suit by House of Paquin, 1906-08 France, the Met Museum by .Vicky.Toria.

Resultado de imagen de Jeanne Paquin

Resultado de imagen de Jeanne Paquin

Two-piece day dress, ca. 1888. Dark blue silk velvet, silk

Two-piece day dress, ca. 1888. Dark blue silk velvet, silk

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1786-1789, the Netherlands - Redingote or dress - Silk, chenille, floss

1786-1789, the Netherlands - Redingote or dress - Silk, chenille, floss

61b99c765481f70474822c241566fb71--body-corset-lace-corset.jpg (600×1000)

61b99c765481f70474822c241566fb71--body-corset-lace-corset.jpg (600×1000)