B&W

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Abstract Painting, Fine Art Print, Acrylic Painting, Black and White Wall Hanging, Small Wall Art, Modern Wall Decor Print 8 X 8 20 X 20 - Etsy Australia
Abstract Painting Fine Art Print Acrylic Painting by LDawningScott
This item is unavailable - Etsy
Print of my original ink drawing on. Presents abstract world in modern style of art. Print size 40 x 28 (100cm x 70cm) Prints are made with
Paintings
Graceann Warn, Navigating at Night, 2013 41" x 31 " x 1.5 " Oil, encaustic and paper on wood panel
2012 International Abstract Art Online Art Exhibition - Overall Winning Artists Category | Online Art Contest, Art Competition, Art Exhibition | Photograph, Painting, Competitions
Abstracts Art Exhibition - 2nd Place – Overall Category – Angela Wales Rockett – “I Still Believe” - Angela Wales Rockett is a Tacoma, Washington based artist. Angela is a spiritually inspired artist, who paints expressive abstracts that soothe the soul with rich colors and texture and invite the viewer to precious moments of introspection. Her artwork has been included in solo and group exhibits across the United States http://www.studiotenshi.com
Black and white abstract art: a history lesson {Franz Kline inspired} — ASHLINA KAPOSTA
Black and white abstract art: a history lesson { Franz Klein inspired } — The Decorista
Lee Kaloidis : Paintings (Oil on Paper)
Lee Kaloidis : Paintings (Oil on Paper)
Erreur 404
POLLOCK Jackson, 26A Black and white, 1948, peinture glycérophtalique sur toile, 205x121,7cm, MNAM Paris
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My Art: *DESCRIPTION* Original painting: This is a real painting, not a print, poster or transfer. This painting is 1 piece canvas painting, individual work of art! That is ready to ship, and ready to hang. *MEDIUM: Professional Acrylic Paints and Mediums *CANVAS:I create fully complete paintings using; Professional Artist Grade, STRETCHED wrapped canvas. Sides are staple free, painted black, and the whole painting is coated with a clear glossy varnish to protect your investment agains...
onsomething
Franz Kline. During the '40's, revealing the impact of the black-and-white abstractions of de Koonin, Kline saw that his oil medium was capable of a calligraphic freedom and that the vestiges of figures and objects could become those rapid marks, halfway between ciphers and pure brushstrokes, that collide together in the shallow space of Untitled Studies in ink on paper. s