Akseli Gallen-Kallela

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Gallen-Kallela, Akseli (1865-1931)

Gallen-Kallela, Akseli (1865-1931)

Moonlight Painting by Akseli Gallen-Kallela

Moonlight Painting by Akseli Gallen-Kallela

Akseli Gallen-Kallela

Akseli Gallen-Kallela

Rowing to the Shore 1891 | Oil on canvas | 640 x 395 mm The Gösta Serlachius Museum of Fine Arts, Mänttä Gallen-Kallela, Akseli | 1865-1931

Rowing to the Shore 1891 | Oil on canvas | 640 x 395 mm The Gösta Serlachius Museum of Fine Arts, Mänttä Gallen-Kallela, Akseli | 1865-1931

Gallen-Kallela, Akseli Snowscape, 1900

Gallen-Kallela, Akseli Snowscape, 1900

Akseli Gallen-Kallela (1865-1931): Lemminkäisen äiti, 1897. (Kuvalähde: Kuvataiteen keskusarkisto)

Akseli Gallen-Kallela (1865-1931): Lemminkäisen äiti, 1897. (Kuvalähde: Kuvataiteen keskusarkisto)

Finnish Mythology: Louhi is the mistress/goddess of the Underworld (world of the dead). She is described as a powerful witch with the ability to change shape and weave mighty enchantments. She is also the main opponent of Väinämöinen and his group in the battle for the magical artifact Sampo in the Kalevala. She has a number of beautiful daughters, whom Ilmarinen, Lemminkäinen and other heroes attempt to win in various legends. Louhi, in true fairy tale form, sets them difficult tasks.

Finnish Mythology: Louhi is the mistress/goddess of the Underworld (world of the dead). She is described as a powerful witch with the ability to change shape and weave mighty enchantments. She is also the main opponent of Väinämöinen and his group in the battle for the magical artifact Sampo in the Kalevala. She has a number of beautiful daughters, whom Ilmarinen, Lemminkäinen and other heroes attempt to win in various legends. Louhi, in true fairy tale form, sets them difficult tasks.

The Athenaeum - View of a Lake (Akseli Gallen-Kallela - )

The Athenaeum - View of a Lake (Akseli Gallen-Kallela - )

Gallen-Kallela, Akseli (1865-1931)

Gallen-Kallela, Akseli (1865-1931)

Gallen-Kallela: Kullervon kirous 1899, Ateneum

Gallen-Kallela: Kullervon kirous 1899, Ateneum


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