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Henri Cartier-Bresson - liberalismo na cidade do amor - true love - dog - coffe time

Henri Cartier-Bresson - liberalismo na cidade do amor - true love - dog - coffe time

Henri Cartier-Bresson  FRANCE. Paris. 1953. A member of the French Academy arriving at the Notre-Dame Cathedral

Henri Cartier-Bresson FRANCE. Paris. 1953. A member of the French Academy arriving at the Notre-Dame Cathedral

✔️ Henri Cartier-Bresson // Cuba, 1963 - .Havana. Private interview granted by Fidel CASTRO in his office at the Presidential Palace.

✔️ Henri Cartier-Bresson // Cuba, 1963 - .Havana. Private interview granted by Fidel CASTRO in his office at the Presidential Palace.

Henri Cartier-Bresson - Abruzzo, 1951

Henri Cartier-Bresson - Abruzzo, 1951

Henri Cartier-Bresson ITALY. Venice. 1952. French writer, André PIEYRE DE MANDIARGUES with his wife Bona who is a painter and sculptor.

Henri Cartier-Bresson ITALY. Venice. 1952. French writer, André PIEYRE DE MANDIARGUES with his wife Bona who is a painter and sculptor.

Henri Cartier-Bresson :: Rome, 1952

Henri Cartier-Bresson :: Rome, 1952

Henri Cartier-Bresson - ITALY. Basilicata. Potenza. 1973.

Henri Cartier-Bresson - ITALY. Basilicata. Potenza. 1973.

New York. 1947.Cartier-Bresson

New York. 1947.Cartier-Bresson

Man reading newspaper to grizzly bear. Henri Cartier-Bresson. France. Nord. Lille. Bois de Boulogne, 1976.   In 1931, Cartier-Bresson began to use a camera and to make photographs that reveal the influence of both Cubism and Surrealism—bold, flat planes, collage-like compositions, and spatial ambiguity—as well as an affinity for society’s outcasts and the back alleys where they lived and worked.  Homme lisant le journal de l'ours grizzli. Henri Cartier-Bresson. France. Nord.

Man reading newspaper to grizzly bear. Henri Cartier-Bresson. France. Nord. Lille. Bois de Boulogne, 1976. In 1931, Cartier-Bresson began to use a camera and to make photographs that reveal the influence of both Cubism and Surrealism—bold, flat planes, collage-like compositions, and spatial ambiguity—as well as an affinity for society’s outcasts and the back alleys where they lived and worked. Homme lisant le journal de l'ours grizzli. Henri Cartier-Bresson. France. Nord.

Kite Festival, Ahmedabad, India, 1966 | Photo: Henri Cartier-Bresson

Kite Festival, Ahmedabad, India, 1966 | Photo: Henri Cartier-Bresson