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huivi 1. kuvassa

huivi 1. kuvassa

Circa 1865 silk taffeta with chenille and fringe on the bodice Day Dress.

Circa 1865 silk taffeta with chenille and fringe on the bodice Day Dress.

Want will make for my altrrnate confederate spy character. Dress, 1860’s France (worn in New Orleans)

Want will make for my altrrnate confederate spy character. Dress, 1860’s France (worn in New Orleans)

Robe à transformation, 1865-68  From Les Arts Décoratifs via Europeana FashionFripperies and Fobs

Robe à transformation, 1865-68 From Les Arts Décoratifs via Europeana FashionFripperies and Fobs

1855 ~ close enough

1855 ~ close enough

Rich blue gown (circa 1867) Classic elements of gowns from this era - high neckline, sloping shoulders with drop sleeve.  Fitted bodice with cinched waist swells to full bell skirt.  This dress has a slight train with an interesting treatment on the back of the skirt: a low, fringe-trimmed swag with a large bow (with fringed sashes) positioned about knee height.

Rich blue gown (circa 1867) Classic elements of gowns from this era - high neckline, sloping shoulders with drop sleeve. Fitted bodice with cinched waist swells to full bell skirt. This dress has a slight train with an interesting treatment on the back of the skirt: a low, fringe-trimmed swag with a large bow (with fringed sashes) positioned about knee height.

TRAJE EN TAFETAN PURURA Y MOARE DE SEDA 1862-65

TRAJE EN TAFETAN PURURA Y MOARE DE SEDA 1862-65

Warp-printed dress, circa 1864.

Warp-printed dress, circa 1864.

Dress, 2 pieces, ca. 1865. Gray silk with embroidered blue satin stripes. Bodice trimmed with lace and lined in satin; skirt lined in taffeta and linen. Photo:  Ares Munio Rodiles. Museo del Traje, Madrid

Dress, 2 pieces, ca. 1865. Gray silk with embroidered blue satin stripes. Bodice trimmed with lace and lined in satin; skirt lined in taffeta and linen. Photo: Ares Munio Rodiles. Museo del Traje, Madrid

Abito da ballo latino quaker

Abito da ballo latino quaker

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