Tutustu kiinnostaviin ideoihin!

Tittysandpancakes

Tittysandpancakes

Hauskat kuvat

Hauskat kuvat

READ--Ingmar Bergman - Cries and Whispers (1972) Cries and Whispers won for best Foreign film. It had many Academy Award nominations.  The late Roger Ebert gave it 5 stars. This is a great film. It is a deep film and may be difficult for some to watch. It is a landmark in film making. It is available on dvd on the Criterion Collection label.

Cries & Whispers (1972)

READ--Ingmar Bergman - Cries and Whispers (1972) Cries and Whispers won for best Foreign film. It had many Academy Award nominations. The late Roger Ebert gave it 5 stars. This is a great film. It is a deep film and may be difficult for some to watch. It is a landmark in film making. It is available on dvd on the Criterion Collection label.

bill and sofia, on the set of 'lost in translation'

bill and sofia, on the set of 'lost in translation'

indypendent-thinking:  Anthony Perkins for Harper´s Bazaar by Francesco Scavullo

indypendent-thinking: Anthony Perkins for Harper´s Bazaar by Francesco Scavullo

Best 3D cinema experience ever. Gravity (2013) Direct. by Alfonso Cuarón; Cinematography by Emmanuel Lubezki.

Best 3D cinema experience ever. Gravity (2013) Direct. by Alfonso Cuarón; Cinematography by Emmanuel Lubezki.

1946 New York Subway Photographed By 17-Year-Old Stanley Kubrick

1946 New York Subway Photographed By 17-Year-Old Stanley Kubrick

Rober De Niro - Taxi Driver 1976 (Martin Scorsese)

Rober De Niro - Taxi Driver 1976 (Martin Scorsese)

Wennnnnnddddyyy

The Shining

Wennnnnnddddyyy

John Alcott Barry Lyndon, Cinematography. For Barry Lyndon, director Stanley Kubrick wanted to make the film look as authentic as possible. He worked with DP John Alcott to use only natural light wherever possible. Film was not very sensitive in those days so great skill had to be used to capture these beautiful candle-lit shots.

John Alcott Barry Lyndon, Cinematography. For Barry Lyndon, director Stanley Kubrick wanted to make the film look as authentic as possible. He worked with DP John Alcott to use only natural light wherever possible. Film was not very sensitive in those days so great skill had to be used to capture these beautiful candle-lit shots.

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